There are only a few bass music producers which have been as thrilling to observe via the previous few months as Jared Diaz, higher identified by his stage identify Too Kind. A yr in the past, Diaz wasn’t way more than a bed room producer with an enormous dream and a killer persona. More just lately, he's admired as one probably the most promising up-and-comers round, managing to pump out a spread distinctive bass music tunes, whereas touchdown himself on lineups among the many greats at EDC Orlando and Okeechobee.
While there have been many steps on Too Kind’s highway to success, one the foremost landmarks was the discharge his authentic “Crash” final October. The track was –and nonetheless is– a hefty piece hybrid entice, which hit listeners with face-melting exhausting entice screeches, adopted by some assaulting dubstep wobbles (a switch-up that spawned a streak “CALM DOWN” feedback on SoundCloud).
Needless to say “Crash” was a bit an odd launch for somebody whose model is centered round his unrelenting friendliness, however it did mark the start an important stage for Too Kind. Because this, it ought to be no shock that the track ended up being Diaz’s first to obtain a full-fledged remix package deal.
Available in all places tomorrow, Crash (The Remixes) serves as a testomony to each Diaz’s variety as an artist and his want to carry deserving up-and-comers into the limelight.
Even with eight totally different names on the package deal, no two remixes sound alike, and someway not a single remix sounds all that very similar to the unique track. The EP feels extra like a collaborative effort between Too Kind and pals, with every remix utilizing components Diaz’s authentic manufacturing, but in addition considerably taking over their very own identification. It could even be the primary remix package deal in historical past that may be comfortably listened to in a single sitting. It actually is that various.
There’s one thing for everybody right here. Will you fall for the glitchy hybrid model Archiived, the hypnotic beats Lizzy Jane, or the piercing electro stabs Lawz? Will you bang your head to PLSMA‘s remix or shuffle to Burn1‘s? Perhaps you need to get your thoughts blown by 14-year-old Moore Kismet‘s spectacular sound design, or simply relax with a cool recent take from Grant Lee & Doctor Boom. Whatever the case could also be, we sincerely hope you discover one thing that fits your fancy. Listen to Crash (The Remixes) under and tell us which is your favourite!